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The crack of doom: the uncanny echoes of Steven Moffat's Doctor Who

Research Output: Contribution to journal Article Peer-review

Open access

Abstract

This paper analyses Steven Moffat's contributions to the British sf series Doctor Who between 2005 and 2010, both as a screenwriter and as executive producer. This analysis is framed specifically by the Freudian notion of the uncanny, and suggests that Moffat's work on Doctor Who confronts unconscious perceptions, repressed fears and death itself through storytelling techniques which attempt to connect directly with the audience by deconstructing the distance between material reality and the series's fantasy space.

Publication Information

Output type

Research Output: Contribution to journal Article Peer-review

Original language

English

Pages from-to (Number of pages)

Pages 1-23

Journal (Volume, Issue Number)

Science Fiction Film and Television (Volume 4, Issue 1)

Publication milestones

  • Published - 01/01/2011

Publication status

Published - 01/01/2011

ISSN

1754-3770

External Publication IDs

  • handle.net: 10547/229471