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Improvisational practices in jazz dance battles

  • Jane Carr
    ,
  • Irven Lewis
Research Output: Chapter in Book/Report/Conference proceeding Chapter Peer-review

Open access

Abstract

With specific reference to bebop, one of the new styles of improvised jazz dancing that developed in Britain in the late 1970s and early 1980s, this essay explores the improvisatory practices associated with the dance challenges, or battles, which were an integral feature of the club scenes within which this dancing emerged. Drawing on the authors’ different perspectives—Irven Lewis’s firsthand experiences of dancing and teaching this style together with Jane Carr’s analysis of the embodied experiences of dance—allows for reflection on the improvisatory practices and their significance. The pan-African cultural influence on the development of jazz dancing is recognized alongside consideration of how this particular style of dancing embodied resistance to a binary division of Western/Africanist culture. Further, the improvised dancing is shown to be reciprocally related to the specific contexts within which it is practised, by virtue of the complex interrelationships between those participating.

Publication Information

Output type

Research Output: Chapter in Book/Report/Conference proceeding Chapter Peer-review

Original language

English

Pages from-to (Number of pages)

Pages 351

Publication milestones

  • Published - 02/04/2019

Publication status

Published - 02/04/2019

Place of publication

Oxford

Publisher

Oxford University Press, India, United States, United Kingdom

ISBN (Print)

9780199396986

External Publication IDs

  • handle.net: 10547/622970

Host publication title

The Oxford Handbook of Improvisation in Dance

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