Abstract
In 2017 the Scottish Refugee Council and Tramway embarked on a collaborative participatory arts project seeking to explore the upsurge in media coverage around issues of migration. Share My Table took a multi-artform approach, with performance and visual art providing the foundation for the exploration. This article, written from the position of artist researcher, shifts the lens away from the artistic or performance outputs of this participatory project, and instead reflects and theorises the working practices which emerged throughout the Share My Table project. By drawing on bell hooks’s work on practices of freedom (1994), and James Thompson’s call for a re-focusing towards affect, beauty and care (2011, 2015), the author argues for participatory practice’s radical potential. Ultimately, the how of participatory work, the careful and ethical attention on the doing can activate solidarity in relation to the asylum regime.
| Original language | English |
|---|---|
| Pages (from-to) | 31-53 |
| Journal | Scottish Journal of Performance |
| Volume | 6 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 14 Jul 2019 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- Affect
- Integration
- Participatory Arts
- Practices of Freedom
- Solidarity
- refugees
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