Abstract
In the chapter, I draw upon artistic practice research to discuss the construction of improvisation scores as a deeply site-sensitive, time-sensitive and person-sensitive process that leads to the construction of specific micro-relations that connect specific practitioners to specific places on the earth. These micro-relations manifest as mindful actions in the detailed cultivation of the earth as a score, where the artists can become concerned with the relational dimensions of their actions in terms of sustainability. I propose that the cultivation of mindfulness and explicit intention of each and every gesture as a contribution to the cultivation of the earth as score is where the ethical work of the artists resides.
The chapter offers a broad, questioning and critical perspective on how the practices of improvisation might contribute to the development of a future dance ecology that is both sustainable and inter-connected. Dance improvisation is thus proposed as an activist and applied practice that enables the experiential examination of ecologically sensitive relations, and I assert that the future of the dance ecology is entwined with how we relate to and embody the places in which dance is made.
| Original language | English |
|---|---|
| Title of host publication | The Oxford Handbook of Improvisation in Dance |
| Publisher | Oxford University Press |
| ISBN (Print) | 9780199396986 |
| Publication status | Published - 9 Apr 2019 |
Keywords
- Dance
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