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Improvisation and the Earth: dancing in the moment as ecological practice

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

In the chapter, I draw upon artistic practice research to discuss the construction of improvisation scores as a deeply site-sensitive, time-sensitive and person-sensitive process that leads to the construction of specific micro-relations that connect specific practitioners to specific places on the earth. These micro-relations manifest as mindful actions in the detailed cultivation of the earth as a score, where the artists can become concerned with the relational dimensions of their actions in terms of sustainability. I propose that the cultivation of mindfulness and explicit intention of each and every gesture as a contribution to the cultivation of the earth as score is where the ethical work of the artists resides. The chapter offers a broad, questioning and critical perspective on how the practices of improvisation might contribute to the development of a future dance ecology that is both sustainable and inter-connected. Dance improvisation is thus proposed as an activist and applied practice that enables the experiential examination of ecologically sensitive relations, and I assert that the future of the dance ecology is entwined with how we relate to and embody the places in which dance is made.
Original languageEnglish
Title of host publicationThe Oxford Handbook of Improvisation in Dance
PublisherOxford University Press
ISBN (Print)9780199396986
Publication statusPublished - 9 Apr 2019

Keywords

  • Dance

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