Abstract
UK Jazz dancing, that is the subject of this chapter, emerged in British clubs in the late 1970s. Drawing upon insights from intersectional and postcolonial theories, this subcultural development of jazz is examined to explore how attitudes to ‘race’, class and gender might be understood as embodied in the styles of dancing. By situating the dancing in relation to its historical context of often turbulent political, social and economic change, it is suggested that while the dancers were focussed on recognition on the dance floor, the dance challenges they participated in can be understood as sites within which young people not only battled against each other but with others to negotiate new British identities.
| Original language | English |
|---|---|
| Title of host publication | Narratives in black British dance: embodied practices |
| Editors | Adesola Akinleye |
| Place of Publication | London |
| Publisher | Springer |
| Pages | 217–233 |
| DOIs | |
| Publication status | Published - 31 Mar 2018 |
Keywords
- Social Relations and Structures
- Arts and literature
- Arts and Literature Studies
- Areas of application
- Disciplinary fields
- Dance
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